Ahmedabad’s vibrant theatre scene witnessed a groundbreaking performance at the Natarani Amphitheater with Meanwhile Elsewhere, a visually stunning and deeply thought-provoking production. This masterpiece, directed by Yadavan Chandran, merges theatre, dance, and sound in an exquisite harmony, drawing inspiration from Italo Calvino’s novel, “Invisible Cities.”

The performance, scheduled for March 21st, 22nd, and 23rd, is a testament to the power of storytelling and human connection. With a diverse cast, a grand production scale, and a seamless blend of languages English, Hindi, and Gujarati, Meanwhile Elsewhere is not just a play; it is an experience.
A Visual and Emotional Treat
From the very first scene, Meanwhile Elsewhere captivates its audience with stunning set design, evocative lighting, and immersive soundscapes. Every element of the production feels meticulously curated, offering a cinematic experience within a live theatre space. The choreography and sound design work in perfect sync, making the performance feel like a dance and sound musical, rather than a conventional stage play.

The play explores the theme of building cities while simultaneously discovering oneself, an idea that resonates deeply with anyone who has questioned their purpose in an ever-evolving world. The dialogues are poetic, profound, and beautifully written, ensuring that every moment on stage leaves an imprint on the viewer’s mind.
The Four Marcos: A Multifaceted Narrative
A unique element of Meanwhile Elsewhere is its narrative structure. The story revolves around four different characters named Marco, each portrayed by a different actor, embodying distinct aspects of human exploration and identity.

Mallika Sarabhai’s Marco – The storyteller and seeker, weaving tales that transport the audience into an alternate reality.

Penelope Deen’s Marco – A soul filled with longing and curiosity, constantly in search of deeper truths.

Lucrezia Maniscotti’s Marco – A guardian of heritage and discovery, representing the connection between past and future.

Teertha Bhatt’s Marco – The fragile yet fearless dreamer, exploring life with an insatiable thirst for meaning.
The four Marcos form the heart of the narrative, reflecting different facets of our own struggles, dreams, and discoveries. The performances are mesmerizing, with each actor delivering a power-packed portrayal that breathes life into the philosophical themes of the play.
The Technical Brilliance of Meanwhile Elsewhere
A production of this scale demands precision in execution, and Meanwhile Elsewhere excels on all fronts. The lighting and sound design are so seamlessly integrated that they become characters in themselves, guiding the audience through shifting moods and landscapes.
The dance sequences and musical compositions elevate the storytelling, adding layers of visual and auditory pleasure. The result is a flawlessly orchestrated performance that keeps the audience enthralled until the final moment.
The Inspiration Behind the Play
Director Yadavan Chandran has drawn inspiration from just two pages of Invisible Cities to craft this expansive, poetic, and visually stunning piece. His vision transforms a brief literary passage into a full-length theatrical marvel that explores themes of memory, cities, human longing, and self-discovery.
Why You Must Experience Meanwhile Elsewhere
Ahmedabad is witnessing a theatrical milestone with Meanwhile Elsewhere, a production that pushes the boundaries of storytelling, visual aesthetics, and theatrical expression. If you appreciate theatre that challenges, moves, and mesmerizes, this is a show you cannot afford to miss.
Catch it live on March 21st, 22nd, and 23rd at Natarani Amphitheater, Ahmedabad.
Prepare to be transported into a world where cities breathe, stories unfold, and human emotions take center stage.


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